From the course: Mastering Adobe Camera Raw
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Working with object-based masks
From the course: Mastering Adobe Camera Raw
Working with object-based masks
- Now, in this previous example we did a simple mask with a paintbrush to bring out the top of the object, but inside of camera raw there's some pretty intelligent machine learning that can really speed this process up. Let's go ahead and make a new mask here on top of the one we just added. I'm going to come over and click and choose a new option. Now we have a couple of choices here. Select objects, select people, select subject. They're all more or less about the same thing. Let's do select object first and this asks me to basically brush a little bit over the object and let it analyze and find it. And when I let go, it'll think, and it did okay. Now it found it, but I'm not perfectly happy with the transitions here down below. That's pretty tough. Blueish creature, bluish water, lots of translucent areas. So let's throw that one away and try again. We'll delete this mask. Now let's try choosing the subject. That did…
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(Locked)
The Enhance Details command4m 26s
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(Locked)
Working with the Upright adjustment4m 46s
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(Locked)
Cloning an area4m 48s
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(Locked)
Making local adjustments3m 20s
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(Locked)
Working with object-based masks6m 22s
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(Locked)
Working with Sky-based masks2m 58s
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(Locked)
Adjusting the background with a mask5m 20s
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(Locked)
Making range-based masks4m 1s
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(Locked)
Working with brushes and gradients6m 16s
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(Locked)
Using depth mattes5m 38s
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(Locked)
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