From the course: Learning DaVinci Resolve 16
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Introduction to the Gallery - DaVinci Resolve Tutorial
From the course: Learning DaVinci Resolve 16
Introduction to the Gallery
- One of the key skills that colorists develop is shot matching. And shot matching often means we have to take a shot that we're working on now, and match it back to a reference that we might have worked on a day ago that occurs five minutes earlier in a different scene. And one of the things we do to help manage this is we're able to save stills. Let's go ahead, open up our gallery, and there's the still that we saved off. And when I hover over a still in the gallery, by default, what it's going to do is apply whatever correction is applied to this shot, and show it to me on the shot that's current. So shot five is current, which is this shot right here. This shot doesn't have any correction applied to it, this still that I saved off in the gallery. And so all it's showing me is this uncorrected clip. But this hover behavior kind of drives me a little bit nuts. When you're working all day long, I usually don't use this.…
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Contents
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Color page overview8m 17s
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Color wheel fundamentals9m 54s
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Overview of Waveforms and the Vectorscope7m 2s
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Using Waveforms and the Vectorscope for primary color correction4m 26s
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Resolve 16: New auto tools5m 8s
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Introduction to node-based color correction4m 54s
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Resetting nodes2m 19s
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Introduction to the Gallery4m 48s
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Copying and pasting corrections3m 7s
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Working with Curves for targeted corrections4m 40s
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Working with the Versus Curves for targeted corrections5m 22s
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Using the HSL Keyer for isolating color corrections3m 22s
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Using power windows to isolate elements5m 10s
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Tracking power windows on objects3m 53s
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Applying OpenFX to a node2m 53s
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