From the course: DaVinci Resolve: How to Fix Common Image Problems

About this series

- This course is part of a much larger series on learning DaVinci Resolve. This Problems and Solutions title is a complement to the other courses in this series and builds upon the topics taught in those courses. If something is being taught or shown here that you don't understand, then definitely consider looking at one of our other courses where that topic is tackled. Courses that directly relate to this title are DaVinci Resolve Fundamentals. This course is a quick start that walks a project from beginning to end. You learn how to use the media pool to organize your footage, the relationship between the Cut and Edit Pages and the strengths of each, using the Color Page to refine the look of your images, the basics of the Fairlight Page for audio and the Deliver Page so that you can share your work with the rest of the world. The DaVinci Resolve: Workflows and Features course is all about optimizing Resolve to work on your computer. Resolve is built to run on a huge number of platforms each with very different capabilities. You'll learn how to optimize its preferences and manage projects and databases, how to manipulate the use of the interface so you can get the software to operate the way you think, the various options for enhancing playback performance, including render caching, the difference between generating proxies and optimized media. You also learn how to share timelines between Resolve Final Cut Pro and Premiere Pro. There's also a chapter on adding hardware devices to massively speed up your interactions with the software, getting better results faster. If you enjoy the Color Page focus of this course, but find that many of the controls look foreign to you or you don't quite understand how they work, then our DaVinci Resolve: Color Page course is up your alley. It helps you understand the differences between primary corrections and secondary corrections and the tools that are used for each type of correction. You also learn how to use the node tree and how to organize a node structure, the difference between the powerful layer mixer node and the parallel node and how to key frame your color corrections. For editors who use the Color Page to complement their main day-to-day work, you should definitely consider watching my DaVinci Resolve: Editing in the Cut Page course. I personally love the Cut Page if you use it for what it excels at, which is what this course covers. I hope you enjoy this course, but I want you to remember if you feel confused because of assumptions I'm making about your familiarity with DaVinci Resolve, then definitely check out these other courses which lay the foundation for this training title.

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