Calendar of Events

The Village Potters Clay Center (TVPCC), announces the opening of “Nurtured by Nature”, a special exhibit featuring new works by each of the six resident potters of TVPCC.

When you have six wildly talented, skilled, and creative artists working together, it can be a challenge to pick a singular theme for a show. But it didn’t take long before the resident potters at TVPCC realized that they each had a connection to nature, and it expressed itself in different ways in their lives and work.

Sarah Wells Rolland grew up in Florida near the water and life that grew in and around it. For this exhibit, she has created singular pieces using broad strokes through slip to emulate Water Grass, and her deliciously beautiful glazes invite you to touch. You can almost feel a soft Florida breeze!

Judi Harwood has her work already rooted deeply in nature, using corn husks, bamboo leaves, and other organic materials in her sagger fired vessels. On a recent trip to the beach, she noticed an amazing pattern in the sand from the ebb and flow of the tide dragging shells across the sand. She knew instantly that she needed to carve a similar design in her pieces for Raku and other alternate firing processes, and you will find those pieces in this exhibit.

Caroline Renée Woolard has always had a deep love for nature, in particular the forest and the element of water and the rhythm of waves. You will find these things in the movement of her slip application, and in her carved mushrooms that invite a child-like sense of wonder and joy.

Katie Meili Messersmith is a self-proclaimed math nerd, and she loves the beauty of sequencing and patterning that she achieves in her slip dot applications on her pots. She also sees this beauty of math sequencing in nature, like in the petals of flowers, and has explored this in her work in a stunning series of bowls.

Julia Mann’s work has always been inspired by her love of nature and love of season, as well as her love of women and love of Goddess. Venus of Willendorf remains a guiding influence on her work more than twenty years after carving her first form. Julia has created new Venus pieces as well as pieces inscribed with other symbols of nature that inspire her, from spider webs to trees and mountains.

Lori Theriault grew up on the edge of the woods in central Vermont, and spent many afternoons hiking in the trees, touching each bark to feel what she saw. She also spent many nights star gazing with her father, waiting for an Apollo rocket to fly overhead. Lori represents her love of trees and flowers in functional work with her wax resist designs, and she is exploring more sculptural work in her “Vincent Series” that celebrates her love of a star-filled sky and her love and admiration for Van Gogh’s impasto technique in ‘Starry Night’.

Nurtured by Nature will be on exhibit through the end of June at The Village Potters Clay Center. The gallery is open daily, 10am-5pm.

The Village Potters are Sarah Wells Rolland, Judi Harwood, Lori Theriault, Julia Mann, Katie Meili Messersmith, and Caroline Renée Woolard, along with Director of Operations, Keira Peterson. They comprise an intentional Collective of potters who share a commitment to nurture creative exploration through education, experience, and community. The Village Potters includes a fine craft gallery, a Teaching Center offering ongoing classes in wheel, hand building, and sculpture for adults, an Advanced Ceramic Studies Program, and online demonstrations and workshops. The Village Potters Clay Center is an educational member of The Craft Guild of the Southern Highlands, and is an official distributor for Laguna Clays.

Historians estimate that skilled Black artisans outnumbered their white counterparts in the antebellum South by a margin of five to one. However, despite their presence and prevalence in all corners of the pre-industrial trade and craft fields, the stories of these skilled workers go largely unacknowledged.

Borrowing its title from a Black culture and politics magazine of the same name, Hammer and Hope celebrates the life and labor of Black chairmakers in early America. Featuring the work of two contemporary furniture makers – Robell Awake and Charlie Ryland – the pieces in this exhibition are based on the artists’ research into ladderback chairs created by the Poynors, a multigenerational family of free and enslaved craftspeople working in central Tennessee between the early nineteenth and early twentieth centuries.

Through the objects featured in Hammer and Hope, Awake and Ryland explore, reinterpret, and reimagine what the field of furniture-making today would look like had the history and legacy of the Poynors – and countless others that have been subject to a similar pattern of erasure – been celebrated rather than hidden. Hammer and Hope represents Awake and Ryland’s attempts, in their own words,  “at fighting erasure by making objects that engage with these long-suppressed stories.”‍

Robell Awake and Charlie Ryland are recipients of the Center for Craft’s 2022 Craft Research Fund Artist Fellowship. This substantial mid-career grant is awarded to two artists to support research projects that advance, expand, and support the creation of new research and knowledge through craft practice.

All Month Long in June at the Swannanoa Library

Join us at the Swannanoa Library to create a collage mosaic Juneteenth Flag. While communally creating this flag, learn the history and meaning of this flag and all that it represents.  This program will continue for entire month of June where the community can add to it over time. All ages are welcome to contribute.

Saturdays from 10:30 AM – 12 PM

May 3 – June 26, 2024 MON – SAT 11 – 6SUN 11 – 5

Artists: Caleb Clark, Bryant Holsenbeck, Bill Killebrew, Inigo Navarro, Isaac Payne, Amy Putansu, Daniel Robbins, Peggy Root, and Deborah Squier.

This group exhibition features paintings, collages, and sculptures that embody the alluring ambiance between sunrise and sunset. Plein air paintings capture the scattered, sleepy light of Dawn; Collaged drawings depict sidewalks blanketed by moonlight; Mixed-media sculptures portray nocturnal animals. Each artist reminds us of the recurrent and striking period of time when the atmosphere is neither totally dark, nor completely lit.

In the early 1900s, travel by train and automobile became more accessible in the United States, leading to an increase in tourism and a revitalized interest in landscape painting. The relative ease of transportation, as well as the creation of National Parks, allowed people to experience the breathtaking landscapes of the United States in new ways. Artists traveled along popular routes, recording the terrain they encountered.

This exhibition explores the sublime natural landscapes of the Smokey Mountains of Western North Carolina and Tennessee. While there were several regional schools of painting around this time, this group is largely from the Midwest and many of the artists trained at the Art Institute of Chicago or in New York City. Through their travels, they captured waterfalls, sunsets, thunderstorms, autumn foliage, lush green summers, and snow-covered mountains—elements that were novel for viewers from cities and rural areas. Though some of these paintings include people, they are usually used for scale and painted with little to no detail, highlighting the magnificence of nature.

Rudolph F. Ingerle, Mirrored Mountain, not dated, oil on canvas, 28 × 32 inches. Courtesy of Allen & Barry Huffman, Asheville Art Museum.

Odyssey Gallery of Ceramic Arts invites you to our Second Saturday Celebration! From 11-5 there will be pottery demonstrations, live music, and snacks. The demos will include throwing on the wheel, hand building, and more! Come see the work of more than 50 local clay artists and experience a hub of the Asheville ceramics community!
We are a 24 member co-op gallery which shares our building with a bustling community clay studio. Come see vibrant art and a working studio this Saturday from 11-5!

Robert Turner (1913-2005) arrived at Black Mountain College in 1949 to establish the first studio pottery program at the College. He worked with student architect Paul Williams to design the Potshop and stayed until 1951 as a teacher and potter. There he formed lifelong friendships with M.C. Richards, Joe Fiore, and Natasha Goldowski Renner, and was part of the lively mix of art and ideas generated by Clement Greenberg, Katherine Litz, Kenneth Noland, Theodoros Stamos, and many others. Turner’s education prior to his arrival at Black Mountain included Swarthmore College, Pennsylvania Academy of Fine Arts, The Barnes Foundation, Penland School of Crafts, and Alfred University.

After Black Mountain, Turner and his family moved to Alfred Station, NY where they bought a farm, and he established a successful studio pottery practice and actively exhibited his work in galleries across the U.S. In 1958 he began teaching pottery and sculpture at Alfred University where he would lead the ceramics program until his retirement in 1979. In addition to his influential teaching position at Alfred, Turner taught at Penland, Haystack, and Anderson Ranch helping a new generation of artists and potters develop their work and establishing his own reputation as a gifted teacher.

Robert Turner’s travels to Africa and to the American Southwest proved to be important life experiences and important to his growth as an artist. Over his lifetime he received many awards for his work, but his humble, gentle demeanor and Quaker background helped keep him centered while also remaining open to exploration and discovery in nature and life.

The exhibition will include work by some of Turner’s students and colleagues at BMC, Alfred University, and Penland as well as work by contemporary ceramic artists whose work fits within the context of the show. Artists include: Meredith Brickell, Cynthia Bringle, Marjorie Dial, Cynthia Homire, Bill C. Jones, Bobby Kaddis, Karen Karnes, Eric Knoche, Jeannine Marchand, Neil Noland, Daniel Rhodes, M.C. Richards, Gay Smith, Tom Spleth, Adele Suska, Lydia C. Thompson, Xavier Toubes, Jerilyn Virden, Peter Voulkos, David Weinrib, and Kensuke Yamáda.

I wanted to work with clay so that the way it moved, the vitality of clay, is not meeting something that’s been on the drawing board. It’s using clay with abstraction to start with and then seeing what it’s going to do, how it will move and change, and always surprise you.

Curated by Alice Sebrell, Director of Preservation

Bender Gallery Artists Featured in Asheville Art Museum Exhibition The New Salon: A Contemporary View The Asheville Art Museum will be opening their exhibit, The New Salon: A Contemporary View, on March 8 and it will run until August 19, 2024. The New Salon offers a modern take on the prestigious tradition of the Parisian Salon with the diversity and innovation of today’s art world. Guest-curated by Gabriel Shaffer, the show will include works from Pop Surrealism, Outsider Art, Street Art, and Graffiti genres.   Bender Gallery has been collaborating with the Asheville Art Museum to loan four paintings from three of our artists. The artists are Laine Bachman, Kukula, and Yui Sakamoto. Be sure to check out this special exhibition in downtown Asheville. Learn More Kukula, Impossible Voyage, oil on board, 48 x 24 inches Kukula (b. 1980, Israel) Nataly Abramovitch, better known in the art world as, Kukula, paints imagined worlds filled with elaborately dressed women in fanciful settings. The artist does extensive research on the layouts of paintings from the Renaissance and Rococo periods. Kukula subverts these images by depicting women characters in place of traditionally male positions and settings. Her characters are powerful, commanding, and have an air of indifference. Available Work Yui Sakamoto, Self Portrait, oil on canvas, 63 x 63 inches Yui Sakamoto (b. 1981, Japan) Our surrealist artist, Yui Sakamoto, will have two paintings featured including My Soul and Self Portrait. Self Portrait is still available from his recent solo exhibition at Bender Gallery. Standing in front of Self Portrait, one is immersed in the dual-worlds of Sakamoto’s Japanese and Mexican cultures. There is a sense of calm reflected in the repeating rose pattern, mixed with the uneasy realization that the coral, fungi, and otherworldly forms are what makeup the figure. Available Work Laine Bachman, Night Bloomers, acrylic on canvas, 18 x 24 inches Laine Bachman (b. 1974, USA) Our prolific Magical Realism artist, Laine Bachman, makes a feature in the exhibition with her painting, Night Bloomers. She has been hard at work making 17 new pieces for her solo exhibition at the Canton Art Museum in Canton, Ohio. The Canton show opens on April 28 and continues through to July 28, 2024. Available Work

When one thinks of the necessities of life, one element immediately comes to mind: water. When one thinks of modern abstraction, the dynamic realm of contemporary art where boundaries are blurred and creativity knows no limits, one name shines brightly: Patricia Hargrove.

The Asheville Gallery of Art proudly presents its June exhibit of Hargove’s series that depicts the powers of water to energize, refresh and heal the soul and body. This masterful exhibit runs June 1-30, with an opening reception on Friday, June 7 from 5-7:30pm. Everyone is welcome.

Ride the free ArtsAVL Trolley connecting the Downtown and River Arts Districts with two overlapping routes every Second Saturday from 12-6 pm.

EXPLORE ASHEVILLE’S ART SCENE

Ride the free  ArtsAVL Trolley linking the Downtown and River Arts Districts with two overlapping loops every Second Saturday from 12-6 pm. Trolley loops take about 20-25 mins, and riders are free to hop on or off at any stop.

The Montford Park Players is pleased to announce auditions for its 52nd  Season: 

Muse of Fire: Shakespeare’s Wars of the Roses

Jason Williams, Artistic Director

5/10/2024 5/24/2024   Edward III, directed by Mandy Bean
5/31/2024 6/23/2024   Richard II, directed by Jason Williams
6/28/2024 7/21/2024   Henry IV Parts 1 & 2, directed by Dr. George Brown, Callista Brown and Elizabeth DeVault
7/26/2024 8/25/2024   Henry V, directed by David Doersch
8/30/2024 9/22/2024  Henry VI Parts 1, 2 & 3, directed by Glenna Grant, Ariel Robinson and Adam Kampouris
9/27/2024 10/27/2024 Richard III, directed by Kristi DeVille

Conveniently located in the heart of the Historic Montford District of Asheville, North Carolina, the Outdoor Hazel Robinson Amphitheatre is easy to get to and accessible from I-240 and I-26. And, it’s just a short drive down Montford Avenue from downtown.

This popular shutterbug weekend includes presentations from top nature photographers, hands-on field courses, a friendly contest and the rare opportunity to photograph the mountain’s spectacular scenery before and after regular business hours.

This revamped version of the popular weekend will include changes to better welcome all levels of photographers, making it more fun and engaging for all – while better connecting participants with the wonders and unique ecology of Grandfather Mountain. This year, more than ever, we hope to not only help participants learn about photography, but to also inspire them to preserve the natural world. Activities begin Friday evening and conclude Sunday midday.

Confirmed speakers and field course leaders for 2024: Andre Daugherty, Leslie Restivo, Michele Sons and Luke Sutton.

Event Ticket Costs
Participant Pass (includes contest) – Pass includes three-day admission to the park, entry into the weekend’s contest, the opportunity to camp at Woods Walk, the Friday social, the Saturday dinner, speaker presentations and sunrise/sunset access: $140/person. Contest Rules & Requirements here. 
Attendee Pass (does not include contest) – Pass includes three-day admission to the park, the opportunity to camp at Woods Walk, the Friday social, the Saturday dinner, speaker presentations and sunrise/sunset access: $115/person

Registered NPW participants and attendees have access to purchase the following items for their guests. Guest passes are for individuals who are on the mountain the weekend of NPW with a registered participant or attendee but not attending or participating in the event themselves. These passes provide a discounted three-day admission pass, as well as the opportunity to attend the Friday social and/or Saturday dinner. Guest passes do not include any of the speaker presentations or field courses.
Guest Adult Pass (three-day admission to Grandfather) – $60
Guest Child (ages 4-12) Pass (three-day admission to Grandfather) – $25
Guest Pass to Friday Social – $10
Guest Pass to Saturday Dinner – $15

Registration opens April 15 at 10 a.m.

Field Course Tickets 2024
Field courses offered by the NPW speakers are special add-on opportunities. These are more hands-on workshops that allow participants and attendees one-on-one instruction from a speaker. Group sizes are usually limited to 10-15 people. Field course spots are limited, and attendance is not included in your event registration. There will be an additional cost of $10 to attend a field course.

In the spirit of fairness, we have changed the registration process for field courses. 2024 Field Courses will be announced Monday, May 6 via email. At that time, registered 2024 participants and attendees will be able to submit their field course interest (look for details on how to do this in the May 6 email) by end of day Thursday, May 16. Please note: May 16 is a hard deadline to submit your interest.

Field course spots will then be randomly drawn, and “winners” will be able to purchase their “spot” before the actual event. (More details to come!) An effort will be made to get all interested folks into at least one field course.

A detailed schedule will be shared closer to the event.

Don Nelson Award – Image Submissions Due Tuesday, June 4 at 5 p.m. Read more!

Camping at Woods Walk
The opportunity to camp at the Woods Walk Picnic Area the Friday and Saturday nights of the event is extended to event participants, attendees and registered guests. There is no additional cost for this. Tent and vehicle camping allowed, only. A very (VERY) small bathroom is available in this area with toilets and water fountains. Other than some grills and fresh mountain air, there are no other amenities. There are wild bears on the mountain, and proper food storage protocol for camping must be practiced.

Refunds/Cancellations
The majority of Grandfather Mountain events generally sell out and have a waiting list. If you cannot attend the event that you registered for, please let us know. Full refunds will be given to individuals who reach out to us at least five days before the event. This allows time for individuals on the waiting list to make accommodations to attend the event. To cancel your registration, please call 828-733-2013, Monday-Friday, 9 a.m. – 5 p.m.

See winners from 2023 and read more about this popular annual event.

The Village Potters Clay Center (TVPCC), announces the opening of “Nurtured by Nature”, a special exhibit featuring new works by each of the six resident potters of TVPCC.

When you have six wildly talented, skilled, and creative artists working together, it can be a challenge to pick a singular theme for a show. But it didn’t take long before the resident potters at TVPCC realized that they each had a connection to nature, and it expressed itself in different ways in their lives and work.

Sarah Wells Rolland grew up in Florida near the water and life that grew in and around it. For this exhibit, she has created singular pieces using broad strokes through slip to emulate Water Grass, and her deliciously beautiful glazes invite you to touch. You can almost feel a soft Florida breeze!

Judi Harwood has her work already rooted deeply in nature, using corn husks, bamboo leaves, and other organic materials in her sagger fired vessels. On a recent trip to the beach, she noticed an amazing pattern in the sand from the ebb and flow of the tide dragging shells across the sand. She knew instantly that she needed to carve a similar design in her pieces for Raku and other alternate firing processes, and you will find those pieces in this exhibit.

Caroline Renée Woolard has always had a deep love for nature, in particular the forest and the element of water and the rhythm of waves. You will find these things in the movement of her slip application, and in her carved mushrooms that invite a child-like sense of wonder and joy.

Katie Meili Messersmith is a self-proclaimed math nerd, and she loves the beauty of sequencing and patterning that she achieves in her slip dot applications on her pots. She also sees this beauty of math sequencing in nature, like in the petals of flowers, and has explored this in her work in a stunning series of bowls.

Julia Mann’s work has always been inspired by her love of nature and love of season, as well as her love of women and love of Goddess. Venus of Willendorf remains a guiding influence on her work more than twenty years after carving her first form. Julia has created new Venus pieces as well as pieces inscribed with other symbols of nature that inspire her, from spider webs to trees and mountains.

Lori Theriault grew up on the edge of the woods in central Vermont, and spent many afternoons hiking in the trees, touching each bark to feel what she saw. She also spent many nights star gazing with her father, waiting for an Apollo rocket to fly overhead. Lori represents her love of trees and flowers in functional work with her wax resist designs, and she is exploring more sculptural work in her “Vincent Series” that celebrates her love of a star-filled sky and her love and admiration for Van Gogh’s impasto technique in ‘Starry Night’.

Nurtured by Nature will be on exhibit through the end of June at The Village Potters Clay Center. The gallery is open daily, 10am-5pm.

The Village Potters are Sarah Wells Rolland, Judi Harwood, Lori Theriault, Julia Mann, Katie Meili Messersmith, and Caroline Renée Woolard, along with Director of Operations, Keira Peterson. They comprise an intentional Collective of potters who share a commitment to nurture creative exploration through education, experience, and community. The Village Potters includes a fine craft gallery, a Teaching Center offering ongoing classes in wheel, hand building, and sculpture for adults, an Advanced Ceramic Studies Program, and online demonstrations and workshops. The Village Potters Clay Center is an educational member of The Craft Guild of the Southern Highlands, and is an official distributor for Laguna Clays.

May 3 – June 26, 2024 MON – SAT 11 – 6SUN 11 – 5

Artists: Caleb Clark, Bryant Holsenbeck, Bill Killebrew, Inigo Navarro, Isaac Payne, Amy Putansu, Daniel Robbins, Peggy Root, and Deborah Squier.

This group exhibition features paintings, collages, and sculptures that embody the alluring ambiance between sunrise and sunset. Plein air paintings capture the scattered, sleepy light of Dawn; Collaged drawings depict sidewalks blanketed by moonlight; Mixed-media sculptures portray nocturnal animals. Each artist reminds us of the recurrent and striking period of time when the atmosphere is neither totally dark, nor completely lit.

In the early 1900s, travel by train and automobile became more accessible in the United States, leading to an increase in tourism and a revitalized interest in landscape painting. The relative ease of transportation, as well as the creation of National Parks, allowed people to experience the breathtaking landscapes of the United States in new ways. Artists traveled along popular routes, recording the terrain they encountered.

This exhibition explores the sublime natural landscapes of the Smokey Mountains of Western North Carolina and Tennessee. While there were several regional schools of painting around this time, this group is largely from the Midwest and many of the artists trained at the Art Institute of Chicago or in New York City. Through their travels, they captured waterfalls, sunsets, thunderstorms, autumn foliage, lush green summers, and snow-covered mountains—elements that were novel for viewers from cities and rural areas. Though some of these paintings include people, they are usually used for scale and painted with little to no detail, highlighting the magnificence of nature.

Rudolph F. Ingerle, Mirrored Mountain, not dated, oil on canvas, 28 × 32 inches. Courtesy of Allen & Barry Huffman, Asheville Art Museum.

Bender Gallery Artists Featured in Asheville Art Museum Exhibition The New Salon: A Contemporary View The Asheville Art Museum will be opening their exhibit, The New Salon: A Contemporary View, on March 8 and it will run until August 19, 2024. The New Salon offers a modern take on the prestigious tradition of the Parisian Salon with the diversity and innovation of today’s art world. Guest-curated by Gabriel Shaffer, the show will include works from Pop Surrealism, Outsider Art, Street Art, and Graffiti genres.   Bender Gallery has been collaborating with the Asheville Art Museum to loan four paintings from three of our artists. The artists are Laine Bachman, Kukula, and Yui Sakamoto. Be sure to check out this special exhibition in downtown Asheville. Learn More Kukula, Impossible Voyage, oil on board, 48 x 24 inches Kukula (b. 1980, Israel) Nataly Abramovitch, better known in the art world as, Kukula, paints imagined worlds filled with elaborately dressed women in fanciful settings. The artist does extensive research on the layouts of paintings from the Renaissance and Rococo periods. Kukula subverts these images by depicting women characters in place of traditionally male positions and settings. Her characters are powerful, commanding, and have an air of indifference. Available Work Yui Sakamoto, Self Portrait, oil on canvas, 63 x 63 inches Yui Sakamoto (b. 1981, Japan) Our surrealist artist, Yui Sakamoto, will have two paintings featured including My Soul and Self Portrait. Self Portrait is still available from his recent solo exhibition at Bender Gallery. Standing in front of Self Portrait, one is immersed in the dual-worlds of Sakamoto’s Japanese and Mexican cultures. There is a sense of calm reflected in the repeating rose pattern, mixed with the uneasy realization that the coral, fungi, and otherworldly forms are what makeup the figure. Available Work Laine Bachman, Night Bloomers, acrylic on canvas, 18 x 24 inches Laine Bachman (b. 1974, USA) Our prolific Magical Realism artist, Laine Bachman, makes a feature in the exhibition with her painting, Night Bloomers. She has been hard at work making 17 new pieces for her solo exhibition at the Canton Art Museum in Canton, Ohio. The Canton show opens on April 28 and continues through to July 28, 2024. Available Work

When one thinks of the necessities of life, one element immediately comes to mind: water. When one thinks of modern abstraction, the dynamic realm of contemporary art where boundaries are blurred and creativity knows no limits, one name shines brightly: Patricia Hargrove.

The Asheville Gallery of Art proudly presents its June exhibit of Hargove’s series that depicts the powers of water to energize, refresh and heal the soul and body. This masterful exhibit runs June 1-30, with an opening reception on Friday, June 7 from 5-7:30pm. Everyone is welcome.