Call for Artists for a New Art Deco Masterpiece –
Part of the Urban Trail

Issue Date: Tuesday, April 16, 2024
Deadline: Monday, May 13, 2024 by 5:00 p.m. 

Call Summary:

• The City of Asheville and Public Art and Culture Commission (PACC) seek a qualified artist(s) or designer(s) to submit their qualifications for a piece of public artwork that reimagines and replaces Station #7, the Art Deco Masterpiece, part of Asheville’s Urban Trail.
• Responses to this Call for Artists (CFA) will be reviewed by an Artist Selection Panel and up to three semi-finalists will be asked to submit proposals. Semi-finalists will be paid a $500 honorarium.
• Artwork will be integrated into the existing Outdoor Dining Area in front of the historic S&W Building, located at 56 Patton Avenue, Asheville, NC.
• The budget is $80,000 to engage with community stakeholders, design, fabricate and install the piece.

To Apply:

• More information and the Call for Artists can be found on the City of Asheville’s Bid page at ashevillenc.gov/bids under “Other”.
  • Project Number: 298-CFA-ArtDecoRedesign-24

Baker Exhibit Center

In an age of complex environmental challenges, why not look to the ingenuity of nature for solutions? The forms, patterns, and processes found in the natural world—refined by 3.8 billion years of evolution—can inspire our design of everything from clothing to skyscrapers. This approach to innovation, called biomimicry, is becoming increasingly popular.

Nature’s Blueprints is supported in part by The North Carolina Arboretum Society, The Laurel of Asheville, RomanticAsheville.com Travel Guide, and Smoky Mountain Living Magazine.

Buncombe County Parks & Recreation is announcing the launch of its new online reservation system for park pavilions.

ACTIVENet, the new online reservation system, allows for a hassle-free user experience for Buncombe County park visitors. With just a few clicks, visitors can make and cancel reservations from the comfort of their home, in addition to checking real-time availability of the pavilions. Park pavilions are located at Lake Jullian, Charles D. Owen, and the Buncombe County Sports Park. Field rental is also available through this new portal.

Key takeaways of the new reservation system include: 

Seamless Interface: The user-friendly layout of the reservation system allows for hassle-free bookings and cancelations.

Real-time Park Pavilion Availability: Users are able to check the availability of the park pavilions at their favorite park, and on their preferred date and time.

Secure Payment: ACTIVENet’s secure payment portal ensures data protection and encryption with Payment Card Industry (PCI) compliant technology.

Email confirmations: Once a reservation is made or canceled, users will receive a confirmation email with the details of their booking.

Click here to view a tutorial on how to book a park pavilion. 

To access the new park pavilion reservation system, please visit www.buncombecounty.org/parks. There is a “Reserve & Register” button that will take users directly to the reservation portal. Please note that users must create an account prior to booking a park pavilion. For any inquiries or additional information, please contact [email protected] or call (828) 250-4260.

Located within the wildly-popular and botanically beautiful Southern Appalachian Mountains, The North Carolina Arboretum offers more than 10 miles of hiking trails that connect to many other area attractions such as Lake Powhatan, the Pisgah National Forest and the Blue Ridge Parkway. Visitors of all ages and abilities can enjoy their hiking experience at the Arboretum as trail options include easy, moderate, and difficult challenge levels. All trails are dog-friendly and visitors are asked to adhere to the proper waste disposing procedures for pets.

Part of a running group that would like to use the Arboretum as a starting point or parking location? Please review our Running Group Guidance and email [email protected] with any questions.

Revamp your outdoor space with up to 75% off in-stock furniture and 15% off custom orders at our Asheville and Cashiers studios!
Join us for our exclusive outdoor furniture sale happening from April 26th to May 6th at our magnificent Asheville and Cashiers studios.

Get Ready for Summer
Incredible Discounts: Enjoy up to 75% off on all in-stock outdoor furniture.
Custom Orders: Get an amazing 15% off on custom order outdoor furniture.

Diverse Range
Explore our stunning collection. This sale includes upholstered outdoor sectionals, teak furniture, sunproof fabrics, metal fire pits, outdoor throw pillows, outdoor rugs, outdoor dining sets, outdoor bar stools, and a lot more.

Exclusive Showroom
Discover and experience Asheville’s largest outdoor showroom, where you’ll find the perfect pieces to elevate your outdoor living space into a sanctuary of comfort and style.
This is an unmissable opportunity to transform your outdoor oasis. See you here!

Historians estimate that skilled Black artisans outnumbered their white counterparts in the antebellum South by a margin of five to one. However, despite their presence and prevalence in all corners of the pre-industrial trade and craft fields, the stories of these skilled workers go largely unacknowledged.

Borrowing its title from a Black culture and politics magazine of the same name, Hammer and Hope celebrates the life and labor of Black chairmakers in early America. Featuring the work of two contemporary furniture makers – Robell Awake and Charlie Ryland – the pieces in this exhibition are based on the artists’ research into ladderback chairs created by the Poynors, a multigenerational family of free and enslaved craftspeople working in central Tennessee between the early nineteenth and early twentieth centuries.

Through the objects featured in Hammer and Hope, Awake and Ryland explore, reinterpret, and reimagine what the field of furniture-making today would look like had the history and legacy of the Poynors – and countless others that have been subject to a similar pattern of erasure – been celebrated rather than hidden. Hammer and Hope represents Awake and Ryland’s attempts, in their own words,  “at fighting erasure by making objects that engage with these long-suppressed stories.”‍

Robell Awake and Charlie Ryland are recipients of the Center for Craft’s 2022 Craft Research Fund Artist Fellowship. This substantial mid-career grant is awarded to two artists to support research projects that advance, expand, and support the creation of new research and knowledge through craft practice.

This year’s election will be won by mobilizing voters who want to preserve our democracy and protect the rights of our citizens. Our phone bankers will be reaching out to likely supporters in your precincts who don’t vote on a regular basis. We will also be making separate calls in your precincts to recruit more volunteers for our efforts.

IF YOU HAVE A LAPTOP, PLEASE BE SURE TO BRING IT TO THE PHONE BANK. If you don’t have one, just be sure you bring your personal email login information (User ID & password) and you can use one of our Chromebooks. If you’ve canvassed or phone banked for Democrats in the past, you likely have an Action ID account, so please be sure to bring that login information as well. Of course, you will also need your cell phone.

Phone banking remains one of the best practices for winning elections and our phone banks are designed to reach those voters who rarely pick up their calls. We’ll leave a message on their voice mail, then also text them the same message. When someone does pick up their call, you’ll possibly have a lively conversation because we are targeting supporters!

May 3 – June 26, 2024 MON – SAT 11 – 6SUN 11 – 5

Artists: Caleb Clark, Bryant Holsenbeck, Bill Killebrew, Inigo Navarro, Isaac Payne, Amy Putansu, Daniel Robbins, Peggy Root, and Deborah Squier.

This group exhibition features paintings, collages, and sculptures that embody the alluring ambiance between sunrise and sunset. Plein air paintings capture the scattered, sleepy light of Dawn; Collaged drawings depict sidewalks blanketed by moonlight; Mixed-media sculptures portray nocturnal animals. Each artist reminds us of the recurrent and striking period of time when the atmosphere is neither totally dark, nor completely lit.

In the early 1900s, travel by train and automobile became more accessible in the United States, leading to an increase in tourism and a revitalized interest in landscape painting. The relative ease of transportation, as well as the creation of National Parks, allowed people to experience the breathtaking landscapes of the United States in new ways. Artists traveled along popular routes, recording the terrain they encountered.

This exhibition explores the sublime natural landscapes of the Smokey Mountains of Western North Carolina and Tennessee. While there were several regional schools of painting around this time, this group is largely from the Midwest and many of the artists trained at the Art Institute of Chicago or in New York City. Through their travels, they captured waterfalls, sunsets, thunderstorms, autumn foliage, lush green summers, and snow-covered mountains—elements that were novel for viewers from cities and rural areas. Though some of these paintings include people, they are usually used for scale and painted with little to no detail, highlighting the magnificence of nature.

Rudolph F. Ingerle, Mirrored Mountain, not dated, oil on canvas, 28 × 32 inches. Courtesy of Allen & Barry Huffman, Asheville Art Museum.

Bender Gallery Artists Featured in Asheville Art Museum Exhibition The New Salon: A Contemporary View The Asheville Art Museum will be opening their exhibit, The New Salon: A Contemporary View, on March 8 and it will run until August 19, 2024. The New Salon offers a modern take on the prestigious tradition of the Parisian Salon with the diversity and innovation of today’s art world. Guest-curated by Gabriel Shaffer, the show will include works from Pop Surrealism, Outsider Art, Street Art, and Graffiti genres.   Bender Gallery has been collaborating with the Asheville Art Museum to loan four paintings from three of our artists. The artists are Laine Bachman, Kukula, and Yui Sakamoto. Be sure to check out this special exhibition in downtown Asheville. Learn More Kukula, Impossible Voyage, oil on board, 48 x 24 inches Kukula (b. 1980, Israel) Nataly Abramovitch, better known in the art world as, Kukula, paints imagined worlds filled with elaborately dressed women in fanciful settings. The artist does extensive research on the layouts of paintings from the Renaissance and Rococo periods. Kukula subverts these images by depicting women characters in place of traditionally male positions and settings. Her characters are powerful, commanding, and have an air of indifference. Available Work Yui Sakamoto, Self Portrait, oil on canvas, 63 x 63 inches Yui Sakamoto (b. 1981, Japan) Our surrealist artist, Yui Sakamoto, will have two paintings featured including My Soul and Self Portrait. Self Portrait is still available from his recent solo exhibition at Bender Gallery. Standing in front of Self Portrait, one is immersed in the dual-worlds of Sakamoto’s Japanese and Mexican cultures. There is a sense of calm reflected in the repeating rose pattern, mixed with the uneasy realization that the coral, fungi, and otherworldly forms are what makeup the figure. Available Work Laine Bachman, Night Bloomers, acrylic on canvas, 18 x 24 inches Laine Bachman (b. 1974, USA) Our prolific Magical Realism artist, Laine Bachman, makes a feature in the exhibition with her painting, Night Bloomers. She has been hard at work making 17 new pieces for her solo exhibition at the Canton Art Museum in Canton, Ohio. The Canton show opens on April 28 and continues through to July 28, 2024. Available Work

Exhibition and Public Programming

Vera B. Williams, an award-winning author and illustrator of children’s books, started making pictures almost as soon as she could walk. She studied at Black Mountain College in a time where summer institutes were held with classes taught by John Cage and Merce Cunningham. Williams studied under the Bauhaus luminary Josef Albers and went on to make art for the rest of her life. At the time of her death, The New York Times wrote: “Her illustrations, known for bold colors and a style reminiscent of folk art, were praised by reviewers for their great tenderness and crackling vitality.” Despite numerous awards and recognition for her children’s books, much of her wider life and work remains unexplored. This retrospective will showcase the complete range of Williams’ life and work. It will highlight her time at Black Mountain College, her political activism, and her establishment, with Paul Williams, of an influential yet little-known artist community, in addition to her work as an author and illustrator.

Author and illustrator of 17 children’s books, including Caldecott medal winner, A Chair for My Mother, Vera B. Williams always had a passion for the arts. Williams grew up in the Bronx, NY, and in 1936, when she was nine years old, one of her paintings, called Yentas, opens a new window, was included in an exhibition at the Museum of Modern Art. While Williams is widely known for her children’s books today, this exhibition’s expansive scope highlights unexplored aspects of her artistic practice and eight decades of life. From groundbreaking, powerful covers for Liberation Magazine, to Peace calendar collaborations with writer activist Grace Paley, to scenic sketches for Julian Beck and Judith Malina’s Living Theater, to hundreds of late life “Aging and Illness” cartoons sketches and doodles, Vera never sat still.

Williams arrived at Black Mountain College in 1945. While there, she embraced all aspects of living, working, and learning in the intensely creative college community. She was at BMC during a particularly fertile period, which allowed her to study with faculty members Buckminster Fuller and Josef Albers, and to participate in the famed summer sessions with John Cage, Merce Cunningham, M.C. Richards, and Robert Rauschenberg. In 1948, she graduated with Josef Albers as her advisor and sculptor Richard Lippold as her outside examiner. Forever one of the College’s shining stars, Vera graduated from BMC with just six semesters of coursework, at only twenty-one years old. She continued to visit BMC for years afterward, staying deeply involved with the artistic community that BMC incubated.

Anticipating the eventual closure of BMC, Williams, alongside her husband Paul Williams and a group of influential former BMC figures, founded The Gate Hill Cooperative Artists community located 30 miles north of NYC on the outskirts of Stony Point, NY. The Gate Hill Cooperative, also known as The Land, became an outcropping of Black Mountain College’s experimental ethos. Students and faculty including John Cage, M.C. Richards, David Tudor, Karen Karnes, David Weinrib, Stan VanDerBeek, and Patsy Lynch Wood shaped Gate Hill as founding members of the community. Vera B. Williams raised her three children at Gate Hill while continuing to make work.

The early Gate Hill era represented an especially creative phase for the BMC group. For Williams, this period saw the creation of 76 covers for Liberation Magazine, a radical, groundbreaking publication. This exhibition will feature some of Williams’ most powerful Liberation covers including a design for the June 1963 edition, which contained the first full publication of MLK’s “Letter from Birmingham Jail.” Williams’ activism work continued throughout her life. As president of PEN’s Children Committee and member of The War Resisters league, she created a wide range of political and educational posters and journal covers. Williams protested the war in Vietnam and nuclear proliferation while supporting women’s causes and racial equality. In 1981, Williams was arrested and spent a month in a federal prison on charges stemming from her political activism.

In her late 40’s, Williams embarked in earnest on her career as a children’s book author and illustrator, a career which garnered the NY Public Library’s recognition of A Chair for My Mother as one of the greatest 100 children’s books of all time. Infinitely curious and always a wanderer at heart, Williams’ personal life was as expansive as her art. In addition to her prolific picture making, Williams started and helped run a Summerhill-based alternative school, canoed the Yukon, and lived alone on a houseboat in Vancouver Harbor. She helped to organize and attended dozens of political demonstrations throughout her adult life.

Her books won many awards including the Caldecott Medal Honor Book for A Chair for My Mother in 1983, the Boston Globe–Horn Book Award– Fiction category– for Scooter in 1994, the Jane Addams Honor for Amber Was Brave, Essie Was Smart in 2002, and the NSK Neustadt Prize for Children’s Literature in 2009. Her books reflected her values, emphasizing love, compassion, kindness, joy, strength, individuality, and courage.

Images:

Cover of Vera B. Williams’ A Chair for My Mother, published in 1982.

Vera B. Williams, Cover for Liberation Magazine, November 1958.

Democrats need to be more actively messaging and to overcome the makers of fake news with the truth! Join this ongoing group of writers working together on Letters to the Editor and Opinion Editorials. We’ll discuss the issues we care about most deeply and craft a plan to respond to events as they occur in real time.

The group meets the first and third Monday of each month for writing, responding to one another’s work, scheduling submissions, and exploring media outlets across the state.

“Rant with purpose. Support with facts. Propel action.” – Myra Schoen

Jacob Sessoms, the chef behind Golden Hour, is hosting a wine pairing event on May 6th at 6 pm. This one of a kind experience includes a curated menu highlighting local seasonal ingredients inspired by Jacob’s travels and culinary culture. This event costs $195 per person and reservations can be made by contacting [email protected].

Join us for a guided meditation session by Asheville Wellness Tours under the magical pull of the new moon! Immerse yourself in the soothing sounds of a wide variety of instruments including crystal bowls, gongs, didgeridoo, handpans, flutes, chimes, and so much more! Feel the vibrations wash away any stress or tension and enjoy this opportunity to clear your mind and renew. Space is limited.

DSSOLVR PRESENTS:

ROBERT’S TOTALLY RAD TRIVIA

Every Monday, at 7:00 PM, come on down

Trivia with Billy

prizes and more

ZACH BRYAN ANNOUNCES THE QUITTIN TIME 2024 TOUR

Zach Bryan announces his 2024 North American run, The Quittin Time Tour. The news comes just days after the singer-songwriter-producer released his fourth full-length studio album, Zach Bryan, available HERE via Warner Records. Fans can register for first access to tickets HERE, with presale beginning on September 6. General on-sale begins September 8. Bryan’s 2024 tour will take place in stadiums and major arenas across North America, kicking off in Chicago with two shows at the United Center on March 6 and 7, before heading out coast to coast. The shows will be supported by The Middle East, Jason Isbell and the 400 Unit, Turnpike Troubadours, Sheryl Crow, Sierra Ferrell, Matt Maeson, and Levi Turner.

The 27-year-old has built a hard-won reputation as an in-concert force of nature, second to none,as evidenced by anyone who attended shows from his Burn, Burn, Burn Tour which wraps in Kansas City atthe end of the month. All shows sold out instantly several months in advance,and he set new attendance records at several venues along the way.The new 16-track body of work explores the Grammy-nominated singer’s southern states roots thatcombine a litany of varied musical and literary influences that might be best described as “Zach Bryan music.” Written and produced entirely by Bryan himself, the self-titled album features raw and unfiltered stories that speak from the heart directly to his ever-growing global fanbase. Zach Bryan boasts collaborations with Kacey Musgraves,The Lumineers, Sierra Ferrell, and The War and Treaty. 

Hailing from Oologah, Oklahoma, Zach Bryan has quietly gone from serving in the U.S. Navy to rising to the forefront of country as a captivating storyteller, tried-and-true performer, and once-in-a-generation voice without comparison. After grinding it out independently and building a devout audience one fan at a time, he arrived as country music’s brightest and boldest star in 2022, tallying over 6.8 billion global streams. He notably earned a pair of platinum singles,“Heading South” and the now 5x-platinum “Something in the Orange.”

The latter also garnered a 2023 GRAMMY® Award nod in thecategory of “Best Country Solo Performance.” Meanwhile, his debut album, American Heartbreak, bowed at #1 on the Billboard Top Country Albums Chart and in the Top 5 of the Billboard 200, enshrining it as one of the most successful country album debuts in the genre’s history. Bryan also topped the Billboard Country Songwriters Chart at #1. Simultaneously, American Heartbreak emerged as the “#1 Country Album on Spotify” for 2022. The record closed out a banner year at #1 on The New York Times “Best Albums of 2022” and Billboard’s “Best Country Albums of 2022,” and attaining Platinum sales status in the US. The single “Something In The Orange” graced year-end lists by NPR, Associated Press,The Los Angeles Times, RollingStone, Consequence, SLANT,  RIAA, and more. The song has become a global chart hit in Australia, New Zealand, UK, Ireland, Norway and Sweden. Bryan’s American Heartbreak Tour sold out everyshow which included headlining theaters and amphitheaters coast-to-coast and performing at prestigious music festivals such as Lollapalooza, Austin City Limits, and Stagecoach. He chronicled his Red Rocks Amphitheater stop with his first-ever live album, ALL MY HOMIES HATE TICKETMASTER (LIVE FROM RED ROCKS), released on Christmas Day 2022 as a heartfelt “Thank You” to his fans. As 2022 drew to a close, Bryan and band performed “Motorcycle Drive-By,” and “Summertime Blues,” on the hit TV series Yellowstone season 5, episode 7, (Dec 18) which also featured the song “Quittin Time.” “The Good I’ll Do” has been featured in a previous episode and reacting in a big way on Shazam.

Throughout 2023, Bryan has traveled the globe for his fully sold out Burn, Burn, Burn headline tour, breaking arena attendance records along the way. On August 25, he released his new, self-titled full-length album to immediate critical acclaim.

Sign up for first access to tickets to Zach Bryan in Greenville, SC HERE

A mother. A daughter. 3 possible dads. And a trip down the aisle you’ll never forget!

Set on a Greek island paradise where the sun always shines, a tale of love, friendship, and identity is beautifully told through the timeless hits of ABBA. On the eve of her wedding, a daughter’s quest to discover the father she’s never known brings three men from her mother’s past back to the island they last visited decades ago.

For nearly 25 years, people all around the world have fallen in love with the characters, the story, and the music that make MAMMA MIA! the ultimate feel-good show.

Official Website

Welcome to our weekly community contra dance in West Asheville!  The Monday Night Dance has been around for decades, and we are carrying the torch forward! We are a loving, kind, and safe dance community and highly encourage masking during the dance. No derogatory comments in relation to masking will be tolerated! We encourage non-maskers to mask while partnering with a dancer wearing a mask, or to at least ask if the person would like them to mask while they dance with them.

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Practicalities

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Time: Contra dancing 8:15–10:30pm, with a beginner lesson starting at 7:45 and a waltz session ending the evening.

Location: St. George’s Center for Art and Spirit, 1 School Rd., Asheville, NC 28806

Cost: $12–$45 sliding scale, CASH ONLY. Please pay as much as you can afford to cover the cost of the wonderful live music, the caller, sound person, rent, and other expenses! ATMs are available at banks on Patton Ave., as well as cash back options at local gas stations and grocery stores.

Requirements: Face masks and sign-in agreeing to the dance’s Safety Guidelines.

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Please enter through the front red doors to the sanctuary. Extra parking available in the lots between Moore’s Foot and Ankle and St. George’s (please avoid parking in front of their practice.) This is a scent-free dance. Please bring your own water and water bottle. Beginners are encouraged to attend! Beginner-friendly dances start the contra dancing in lieu of a lesson.

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Community Focus

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The Monday Night Dance is more than just a dance; the community is deeply rooted. Folks are welcome to sell their wares, like jewelry, dance shoes, dance clothes, pottery, etc. They are also welcome to leave business cards and help wanted or work needed ads. Additionally, the Take Some Leave Some Closet is a new feature of the MND. You can take any clothes, food, produce, feminine products or first aid supplies that we have, and as you are able you can also leave some to replenish. Private times to receive from the closet can also be arranged during the week depending on to the dance organizer’s availability.

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Safety

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We emphasize safety here at the MND. Mask wearing is strongly encouraged, and courtesy to those choosing to mask is required. No discrimination to those wearing masks will be tolerated! In addition, this is a family and LGBTQ-friendly dance and a safe event for ALL races, ethnicities, genders, ages, shapes, and sizes. Accordingly, no discrimination, inappropriate sexually predatory behavior, racist or discriminatory comments, bullying, or verbal or physical abuse of ANY kind will be tolerated. See our Safety Guidelines for more info.

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Volunteers and Donations

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Ours is a dance built on volunteerism, and we need your help to survive! Please consider volunteering or becoming a patron by giving a monetary gift. Opening, door and closing help are some of the volunteer jobs available. Those completing their entire shift dance free! Email [email protected] for more info and to sign up. 

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Finally, please follow, like and join us on Facebook!

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Thanks so much and see you on the dance floor!